These photographic works feel icons, albeit venerating saints of a mysterious and hybrid denomination. Still images of protagonists or objects are displayed in shaped acrylic fames, some of which are self-lubricating, such as CREMASTER 4: T L: IRISH SEA, 1994. Many of the props are coated in Vaseline, and Barney extends this into the photographic and sculptural pieces related to CREMASTER. Americana, tartan, Modernist architecture and Renaissance opulence coexist in new hybrid compositions that seem to be in dialogue with high fashion as much as the supposedly more serious contemporary art lexicon. The sets and costumes, full of baroque detail and stylistic clashes, are as much the central focus as the characters. Named after the muscles that control the rise and fall of the male testes, the films investigate the rituals and eroticism of sport – reflecting Barney’s own past as an athlete – and the power of belief systems and architecture.īarney weaves together idiosyncratic narratives encompass everything from Celtic myth and the TT races on the Isle of Man, to the Art Deco Chrysler Building skyscraper in New York, and even feature sculptor Richard Serra as a grand masonic master. His works explore connections among geography, biology, geology and mythology as well as themes of conflict and failure. Directing Mailer, Barney mimes the gesture of a magician rolling up his sleeve. Matthew Barney (born March 25, 1967) is an American contemporary artist and film director who works in the fields of sculpture, film, photography and drawing. Barney is best known for his hugely ambitious CREMASTER series (1994-2002), five self-written and self-directed feature length films made in nonsequential order. Gary Gilmore, played by Barney, was the subject of Mailers book The Executioners Song. He began his Drawing Restraint series in 1987, releasing a film, Drawing Restraint 9, set on an Icelandic whaling ship and starring his then partner, Björk, in 2005. Please note, additional screenings have been added on January 11, 13, 15, and 18.Matthew Barney works across sculpture, photography, drawing and film, often developing singular pieces over a number of years. River of Fundament will screen regularly throughout the duration of the exhibition.Ĭapacity is limited seating available on a first-come, first-served basis. He is a director and writer, known for Drawing Restraint 9 (2005), Cremaster 2 (1999) and The Cremaster Cycle (2003). In-kind media support is provided by KCETLink, KCRW 89.9 FM, and Los Angeles magazine.įor more information about the film, visit: . Producer IMDbPro Starmeter See rank Play trailer 2:21 Drawing Restraint 9 (2005) 3 Videos 2 Photos Matthew Barney was born on 25 March 1967 in San Francisco, California, USA. Major support is provided by Sadie Coles HQ, London, Mark Fletcher and Tobias Meyer, Glenstone Foundation, and Regen Projects, Los Angeles.Īdditional support is provided by Cindy and Howard Rachofsky and C. Lead support is provided by Steven & Alexandra Cohen Foundation and Gladstone Gallery. The exhibition was realized by MOCA in collaboration with Laurenz Foundation, Schaulager, Basel. The Los Angeles presentation is coordinated by MOCA Assistant Curator Lanka Tattersall. Matthew Barney: RIVER OF FUNDAMENT is organized by Haus der Kunst, Munich in collaboration with the Museum of Old and New Art (MONA), Tasmania and curated by Okwui Enwezor. Matthew Barneys long-running DRAWING RESTRAINT series, which began in 1987, culminating in the 1989 work Field Dressing, merges two distinct themes: the. Michael Kimmelman and Barney walk through his Guggenheim exhibition. Overall, the works in the exhibition intertwine history and mythology with the contemplation of fundamental human drives-such as sex, violence, and power-that have continuously propelled civilizations. A Cremaster Cycle: A Conversation with Matthew Barney Documentary Film & Interview. The exhibition also includes Barney's Water Castings, a new group of sculptures on view for the first time. The presentation at MOCA comprises the epic length, operatic film and approximately 85 works inspired by or made in conjunction with the film, including large-scale sculptures weighing up to 25 tons, drawings, and storyboards. He is best known as the producer and creator of the Cremaster films, a series of five visually extravagant works created out of sequence (Cremaster 4 began the. The film, written by Barney in collaboration with composer Jonathan Bepler, tells a story of regeneration and rebirth inspired by Ancient Evenings (1983), Norman Mailer's sprawling, provocative novel set in ancient Egypt. River of Fundament (2014) is one of Barney's most challenging and ambitious projects to date, and his largest filmic undertaking since the renowned, five-part CREMASTER film cycle (1994-2002). Matthew Barney: RIVER OF FUNDAMENT is Barney's first major solo museum exhibition in Los Angeles.
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